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  • Writer's pictureErika Janet

Wide Sargossa Sea by Jean Rhys [Book Review]

Wide Sargossa Sea by Jean Rhys is an adaption of Charlotte Bronte’s infamous Jane Eyre, centring itself on the ‘mad wife’ of Rochester. Through the little information readers were given regarding this character, Rhys managed to extrapolate it and create a backstory for this character, adding a postcolonial and feminist feel to the somewhat outdated narrative that is Jane Eyre.



As a feminist and colonial historian, I was dying to read this book. I think the way Bronte dealt with mental illness in the book was expected for the time but obviously slightly negative and victim-blaming, again, understandably. The thought that Rhys might be able to spin the narrative on its head and give the ‘mad wife’, named Antoinette (and Bertha), the perspective and respect she deserved sounded brilliant to me. Sadly, I think the book failed to deliver exactly what it was aiming for.


Firstly, the writing style is rather jarring, and I can’t seem to pinpoint why – it’s not colloquial, but its also not a smooth reading experience. It was often really difficult to figure out what was being said, and in the first 20 to 30% there was a multitude of characters introduced which confused me even more. It’s a shame because I think this is one of the main failings of the book as it feels like there’s a wall between the authors intentions and the reader’s interpretation, as if the book needed one more round of editing.


To add to this, the book didn’t deliver in what it said it would be – a postcolonial and feminist adaption. Perhaps because Rhys had to have her ending tied to what happens in Jane Eyre, it still didn’t feel like the mental health aspect was fully explored – we find out her mum was driven to madness because of the loss of her land and her son and then Antoinette seems to go mad within a matter of pages towards the end. This was a huge let down for me because I don’t think Antoinette ever really gets the appreciation in the writing that she should.


Following on from this, the way Rochester is written allows for more sympathy towards his character, which isn’t necessarily a bad thing, but when paired with the fact that Antoinette’s mental health is never really fully fleshed out and explored in a way that makes the reader figure out what has happened to her rapidly declining mental health, the readers might find themselves sympathising with Rochester instead of Antoinette, whom in my eyes is the main orchestrator of her madness. Ultimately, because Rochester agrees to return to England with Antoinette, who by this point he is repeatedly calling Bertha, her dead mothers name, we see him as not that bad of a guy since it seems he would rather she come back with him then leave her with an obeah, someone who engages in spiritual practice, either for evil or good. This just reinforces our idea that he isn’t too bad of a person. Also, when Rhys hints that she cheated on Rochester during her marriage, it all feels like an amalgamation of random flaws to reduce Antoinette’s reliability as a character.


The one thing I did love about the book was the Rashomon Effect, or the questioning of reliability amongst the characters. The fact that we hear from both Rochester and Antoinette’s perspective allows the reader to come to their own conclusions, even though it feels like Rhys has a strong hand in our views of the characters. This ‘unreliable narrator’ aspect was by far the most intriguing aspect of the book because it covered the span of the story and was actually fully realised.


Overall, I think if you read Jane Eyre this might be an interesting short read just to see how culturally impactful the book is 200 years later, and the ever-growing shift in the importance of discussing mental health and marrying someone of a different country and culture to you. However, I think the writing let the book down massively as well as the ending which didn’t sit well with me, being in contrast to what I perceived the intentions of the book were.


Rating: ⭐⭐/5

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